Film making has consistently been an active aspect of my practice,  in many cases my films have pictorially implicated landscapes and conceptually instrumentalised landscape as a means engage social or historical ideas or instances.  to terrain to be negotiated.

These works have been made as autonomous pieces, but are often made alongside additional art works that collectively respond to a specific set of conceptual criteria or contexts. They are often presented alongside related installations in multiroom institutional settings.

This films began as non-narrative works merging moving image and instrumental sound that could be recognised as form of slow cinema within a contemporary art context. More recently the films have implicated poetic text based narrative structures where texts have been spoken or sung alongside instrumental sonic compositions.